Portfolio
Throughout Kaat Pauwels’ work two archetypical forms keep recurring: the bowl and the vase. Although familiar, not only because of their primitive shape, they evoke a whole unique universe of waving desert dunes, sand ripples, butterfly cocoons and eroded riverbeds. Not only does the form gives a very natural feel to her work, the colour of the naked clay, mixed with natural pigments also adds to this sensation of ‘arriving home’. Here, the clay may be clay, celebrated in all it’s fascinating facets.
The vases are primarily formed in a soft white. Layer upon layer rolls of clay are stacked (a technique called ‘coiling’). The rolls of clay are joined with clay silt, in which she lets the waves flow out of the form of the vase. Little by little she builds them up until the shape is finished, a minute work that requires a lot of concentration.
Her bowls she makes in soft earth shades, ranging from off-white to purple-brown. The rolled-out sheet of clay is first moulded. Then she re-shapes the bowl and continues to build it up. Both the interior as well as the exterior of the bowl are finished off with a glaze. The thick layer of glaze inside the bowl dries up like the riverbed of an empty stream.
The forms takes shape in a spontaneous process. The drawings Kaat Pauwels makes beforehand act as ideas and lose sketches, inspiring the waves or movements that reappear in her work. Whilst creating, she searches for the bowl or vase’s own balance. Her work therefore is not the result of a deep conceptual search but that of a purified search of the object’s limits without it losing balance.
Not only her creations point to nature. In recent years the designer’s extensive research of natural, non-toxic materials and pigments are evidently applied in her work. The research has not only provided her with a lot of insight and pleasure, it also directed her to the intrinsic beauty of natures’ elements in which she has found her very own, poetic pallet.
The work of Kaat Pauwels calls up to explore, to look in fascination, to discover, to touch and to calm. It gives an aesthetic pleasure which completes the circle, because the pleasure of creating is precisely what drives this ceramist again and again to the clay.
Bie Luyssaert
Curriculum Vitae
Kaat Pauwels
Botermelkstraat 17c
9300 Aalst
053/70 05 30
0472253777
kaat.pauwels@telenet.be
Studies
1987 – 1991 Ceramics, Sint- Lucas Institute of Fine Arts, Ghent, Belgium, under tutelage of Marnix Hoys, Rik Vandewege and Trees De Mits.
Additional Studies
- Sculptural work with paper fibres under tutelage of Jean Decoster
- Sculptural work in de nature, Finland
- Sculptural work with wool: felting and colouring with plant materials.
Field trips
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Cornwall, England
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La Borne, France
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Masterclass ‘Clay’: Westerwald Museum, Germany
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‘Galeries’, Victoria & Albert Museum, London, England
- Sculptural work in nature, Finland
Honourable mention
Concurs National De ceramica, L’Alcora, Spanje
Profession
- Self-employed Ceramist / Ceramics teacher
Publications
- Ceramic Form by Peter Lane
Work in musea
- Museu De Ceramica De Manises, Spain
- Broelmuseum, Kortrijk, Belgium
Exhibitions
- ’91 Civic Centre, Kalken, Belgium
- ’92 Cultural Centre, Belsele, Belgium
- ’93 Open Monuments Day, Castle of Bazel, Bazel, Belgium
- ’94 Chapel Campo Santo, Sint-Amandsberg, Belgium
- ’94 ‘The Pastoral’, Meerle, Belgium
- ’95 Selection Flemmish Institute for Entrepreneurship (VIZO): ‘Design Flanders’, Belgium
- ’95 Selection Triënnale Design: Museum of Fine Arts, Ghent, Belgium
- ’95 ‘De Boote’, Ghent, Belgium
- ’96 ‘Talente’, Munchen, Germany
- ’96 ‘Theaxus’, Kwaremont, Belgium
- ’96 ‘Au feu- Brand’: Wallon Meets Flanders at Villa Externest, Rumbeke, Belgium
- ’97 ‘Le Printemps De Potier’, Bolshow, Bandol, France
- ’97 ‘Galery Hilde Mets’, Antwerp, Belgium
- ’97 European Cermamics Biënnale, Manises, Spanje
- ’97 Permanent Collection, Contemporary Art, Museum of Fine Arts, Ghent, Belgium
- ’98 ‘Belgium Design Led Craft’, Romney March Craft Gallery, Kent, United Kingdom
- ’98 ‘Concurs National De Ceramica’, Museu de Ceramica, L’Alcora, Spain
- ’98 ‘Galery Carla Koch’, Amsterdam, the Netherlands
- ’99 Trade Fair in collaboration with Flemish Institute for Entrepreneurship (VIZO), Madrid, Spain
- From ’98 Permanent Collection Carla Koch
- ’99 Art Hous Ingrith Desmet, Ingooiegem, Belgium
- ‘ 99 ‘Ceramic Millenium’, Flemish Cultural Centre in collaboration with Carla Koch, the Stedelijk Museum, Amsterdam, the Netherlands
- ’04 Sculptural Work in Nature, Finland
- ’05 ‘Revolution in the Porcelain Cupboard’, Broelmuseum, Kortrijk, Belgium
- ’05 Open Monuments Day in collaboration with Marnix Hoys, Kaprijke, Belgium
- ’06 ‘Aalsters Salon’ in collaboration with the City of Aalst, De Werf, Aalst, Belgium
- ’06 ‘Summer Open Door Days’ in own studio, Aalst, Belgium
- ’06 ‘Art Focus’, De Drempel, Wevelgem, Belgium
- ’08 Group exhibition, Westerwald Museum, Germany
- ’08 Puls Galery, Brussels, Belgium
- ‘09 Galery Carla Koch, Amsterdam, the Netherlands
- ‘09 ‘Object Rotterdam’ in collaboration with Galery Carla Koch, Amsterdam, the Netherlands
- ‘09 Group Exhibition ‘ With love... from Belgium’ in collaboration with Tania De Bruycker and Centrum Goed Werk, Tiendschuur, Zulte, Belgium
- ’09 Concurs National De Ceramica, Museu de Ceramica, L’Alcora, Spain
- ’10 Atelier 27, Aalter, Belgium
- Pro Formas Aalst; 'Vormgeving vanaf de jaren '50'
- '13; Group exhibition Dirk Schrijvers Antwerpen
- '15; Group exhibition' 20th anniversary Gallery Carla Koch' Amsterdam